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The "X" Film Unit
Presents

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A film by
Andrzej Wajda

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THE CONDUCTOR

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Starring

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Featuring

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and the Symphony Orchestra
of the Polish Army Ensemble

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Beethovers 5th Symphony Orchestra'
conductor St. Wislocki

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Edited by

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Production design

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The film was suggested by conversations
with the conductor Andrzej Markowski

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Screenplay

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Photography

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DIRECTED BY

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This is the Kosciuszko Foundation
which arranged your grant.

15
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Today I got tickets for a terrific play
performed by black actors.

16
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They dance and sing. Super!

17
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Daddy!

18
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It's from mummy.

19
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<i>I'm not going anywhere</i>
<i>on my own again.</i>

20
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<i>I'm so used to being led</i>

21
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<i>that when I'm alone</i>
<i>I take myself by the hand</i>

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<i>and tell myself what to do.</i>
<i>I nag like a starchy nanny,</i>

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<i>or a despotic husband.</i>

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<i>So that I have little energy left</i>
<i>for looking about me.</i>

25
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Look! I didn't know he was here.

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You don't know Lasocki?
We must go to his concert.

27
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Okay' but why?

28
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He was in love with my mother once.

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I've never seen him.

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<i>An average concert.</i>
<i>I enclose the programme.</i>

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<i>I was... no.</i>
<i>That's not the right word.</i>

32
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<i>He is good,</i>
<i>and you know what that means.</i>

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An average concert.
I enclose the programme.

34
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Let me help you.

35
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My little girl in the wide world!

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If I write more you'll call me silly.

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I mostly looked.
I was fascinated by the old boy.

38
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No' that's not the word.

39
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He is really good.

40
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I'd like to play in an orchestra
conducted by him.

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Just like Marta.

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Play once and die!

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Sorry. Finsh it later' okay?

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Yes' of course.

45
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<i>I'm sorry to hear about the orchestra,</i>

46
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<i>but your letter worries me.</i>

47
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<i>I know about their faults,</i>

48
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<i>but you sound so angry and depressed.</i>

49
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<i>And finally you have</i>
<i>your own orchestra.</i>

50
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<i>In Warsaw you'd have</i>
<i>to start again from the beginning.</i>

51
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<i>You must decide.</i>

52
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<i>Although I can't imagine</i>
<i>life anywhere else.</i>

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<i>He moved me, that's the word.</i>

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<i>He knew my mother,</i>
<i>loved her perhaps.</i>

55
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<i>In his gestures,</i>
<i>there is something</i>

56
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<i>dear and familiar.</i>
<i>I don't know why.</i>

57
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<i>We at home change all together.</i>

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<i>Others change</i>
<i>with their adopted countries,</i>

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<i>but retain little touches of home.</i>

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<i>When he came out onto the podium,</i>

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<i>I could see father dropping in</i>
<i>for coffee at the Esplanade</i>

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<i>and bowing to his friends.</i>

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<i>I long to be back.</i>

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<i>I gave myself a scolding</i>

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<i>for being sentimental</i>
<i>and wasting this chance.</i>

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<i>I'm going to Boston</i>
<i>to see him once more.</i>

67
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No thank you.

68
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I wanted to look at you.

69
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Look at you.

70
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So you do want an autograph.

71
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My husband is a conductor in Poland.

72
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Where I was born.

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Excuse me' my pen.

74
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It's you again.

75
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I'm glad you remember Poland.

76
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I remember a family called Skulski.

77
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They had a daughter like you.
The same hair.

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My mother was called Skulski.

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Your mother?

80
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And her first name?

81
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What did you say?

82
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Anna.

83
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Please tell her...

84
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I'm sorry' my mother is dead.

85
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What are you doing here?

86
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I'm a violinist' here on a grant.

87
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My name is Marta.

88
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Can we meet someday?

89
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- I'm flying home today.
- Can't you put it off?

90
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- Impossible.
- Please' try.

91
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Try if you can. Au revoir!

92
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The most wonderful thing that happened

93
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was that I met him.

94
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I tell you he's marvellous.

95
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His conducting is...

96
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We only had your telegram today.

97
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Lasocki unwell' concert cancelled.

98
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Coming home. I love you.

99
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- Your foolish Marta.
- See how I missed you?

100
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Why aren't you all here?

101
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Up you get. How can you lie
in bed when mummy's back...

102
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I haven't seen you for 3 months.
Say hello...

103
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Come on. Give me a hug.

104
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No more travelling.

105
00:13:02,000 --> 00:13:05,675
She doesn't want to say hello.
Come on darling.

106
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Lister I must give you
your presents.

107
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Put it on.

108
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Why won't you try it on?

109
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- Try it. Why must you upset me?
- You know I dislike it.

110
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I'm exhausted.
Took of my boots' will you?

111
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They're a size too small
and my new jacket is too large.

112
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I can't manage anything without you.

113
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Is there a war on over there?

114
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What do you mean?

115
00:14:02,680 --> 00:14:05,831
Because all you can talk
about is women.

116
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Or Lasocki who's as good as dead.

117
00:14:17,040 --> 00:14:20,271
What's the matter?
Why are you so tense?

118
00:14:22,400 --> 00:14:26,393
What's going on?
You are so wound up.

119
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I'm listening.

120
00:14:36,800 --> 00:14:38,756
Come on ther relax.

121
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You were away for 3 months.

122
00:14:43,640 --> 00:14:46,598
But I'm back and you should be glad.

123
00:14:48,880 --> 00:14:50,279
I am glad.

124
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I'll go and wash.

125
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I'm going through a bad patch.

126
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Something's gone wrong.

127
00:15:19,480 --> 00:15:21,516
I don't know what to do.

128
00:15:55,040 --> 00:15:56,951
What does that look mean?

129
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I need you.

130
00:16:01,320 --> 00:16:04,039
Run off to bed. Right away.

131
00:16:12,000 --> 00:16:14,798
Why didn't you kiss me earlier?

132
00:16:16,640 --> 00:16:19,029
I wanted to save it up for now.

133
00:16:41,520 --> 00:16:43,750
I'm so happy to be back.

134
00:17:36,400 --> 00:17:37,913
Do you love me?

135
00:17:40,920 --> 00:17:42,399
Do you love me?

136
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I do.

137
00:20:11,760 --> 00:20:13,239
Tempo.

138
00:20:22,280 --> 00:20:25,750
It's no good. It should be
much more dynamic.

139
00:20:26,200 --> 00:20:28,668
We keep talking about Lasocki...

140
00:20:29,160 --> 00:20:32,118
The point is to play well
when he's here.

141
00:20:33,360 --> 00:20:35,316
Once more from the E.

142
00:20:45,640 --> 00:20:46,914
Let's try again.

143
00:20:56,440 --> 00:20:59,159
Good morning. Please sit down.

144
00:20:59,600 --> 00:21:02,876
And make a note about the forte.

145
00:21:03,160 --> 00:21:04,639
Yes' of course.

146
00:21:25,680 --> 00:21:28,114
Mars struggle against fate.

147
00:21:35,600 --> 00:21:37,670
No... no!

148
00:21:39,960 --> 00:21:43,509
We'll have to reconsider
the bonus distribution.

149
00:21:44,520 --> 00:21:46,476
It's really to bad!

150
00:21:47,040 --> 00:21:51,431
The works council will back me up.
I suppose I can rely on that?

151
00:21:52,400 --> 00:21:54,630
We go on about Lasocki...

152
00:21:54,920 --> 00:21:57,115
Never mind about him.

153
00:21:57,600 --> 00:22:01,832
- We must try and play better.
- We've done worse.

154
00:22:02,440 --> 00:22:04,556
This is our big chance.

155
00:22:04,840 --> 00:22:06,910
He's world-famous.

156
00:22:07,520 --> 00:22:12,036
That means foreign tours' festivals.
Don't you understand?

157
00:22:12,560 --> 00:22:17,759
He made his debut with the 5th.
It's a work we know.

158
00:22:18,040 --> 00:22:23,672
He has his pick of players.
Why should we be worse that they are?

159
00:22:23,960 --> 00:22:25,359
No reason at all.

160
00:22:26,440 --> 00:22:30,558
- Let's take it again.
- Why come back now?

161
00:22:32,680 --> 00:22:38,312
And why should we make a fuss
about someone

162
00:22:38,560 --> 00:22:42,678
- who repudiates his origins.
- What do you mean?

163
00:22:43,400 --> 00:22:46,870
He went away and made his name.

164
00:22:48,040 --> 00:22:53,160
We're all pleased' of course. But...
He got to the top' right?

165
00:22:53,600 --> 00:22:55,636
But not to come back once'

166
00:22:55,840 --> 00:22:58,798
- in 50 years!
- We're waiting.

167
00:22:59,440 --> 00:23:00,839
Oh well... sorry.

168
00:23:03,040 --> 00:23:05,315
It's none of your business.

169
00:23:05,840 --> 00:23:08,229
Quiet please! Let's start.

170
00:23:10,320 --> 00:23:11,673
A break?

171
00:23:13,360 --> 00:23:15,476
For God's sake...

172
00:23:22,000 --> 00:23:23,399
From the E.

173
00:23:52,480 --> 00:23:54,869
No listen... like this.

174
00:23:55,280 --> 00:23:57,953
Fate knocks at the door' it opens...

175
00:23:58,280 --> 00:24:00,077
And the conductor?

176
00:24:00,760 --> 00:24:05,629
...walks out because he's had enough.
Some parts are still not right.

177
00:24:06,120 --> 00:24:10,318
It's not Beerhoven.
It must have drive' vitality.

178
00:24:11,720 --> 00:24:15,076
Think of it as a match:
Men against women.

179
00:24:19,680 --> 00:24:23,150
Once more' attention please.
No arguments!

180
00:25:39,600 --> 00:25:42,717
- I speak Polish.
- I didn't know.

181
00:25:43,640 --> 00:25:44,959
Our leader.

182
00:25:51,880 --> 00:25:54,792
We've been rehearsing the 5th
symphony.

183
00:26:21,560 --> 00:26:23,471
Let's start.

184
00:26:24,160 --> 00:26:26,390
Part 2 no.160.

185
00:27:56,200 --> 00:27:59,272
I'm not stopping because
something is wrong.

186
00:27:59,880 --> 00:28:02,314
On the contrary' you're very good.

187
00:28:03,120 --> 00:28:06,635
Let's try again from no.167.

188
00:29:22,720 --> 00:29:24,597
Turn of that radio!

189
00:29:29,440 --> 00:29:32,000
It's so long since I heard that.

190
00:29:32,200 --> 00:29:35,192
I'm sorry' it brings back memories.

191
00:29:36,920 --> 00:29:38,433
Back to work.

192
00:29:45,000 --> 00:29:47,912
No filming. No one's allowed in.

193
00:29:48,640 --> 00:29:51,313
Ladies and gentelmen! I'm happy

194
00:29:51,680 --> 00:29:55,150
that we can perform
this symphony together.

195
00:29:55,600 --> 00:29:57,238
Beethovers 5th.

196
00:29:59,960 --> 00:30:02,076
I think here the composer

197
00:30:02,400 --> 00:30:04,834
tried to do more that write

198
00:30:05,840 --> 00:30:10,675
just another piece of music.
It seems simple' obvious.

199
00:30:13,360 --> 00:30:16,875
The symphony is well known.
We all like it.

200
00:30:18,240 --> 00:30:20,515
Why does it overwhelm us?

201
00:30:22,760 --> 00:30:29,996
It is at once formidable and sublime.
We want to perform the music.

202
00:30:30,480 --> 00:30:32,675
But what does the music ask for us?

203
00:30:34,040 --> 00:30:35,439
My young colleague

204
00:30:35,640 --> 00:30:40,191
said he could hear fate
knocking at the door.

205
00:30:42,840 --> 00:30:44,751
Yes' but at whose door?

206
00:30:45,960 --> 00:30:50,351
That's all. 'm truly happy
to be able to perform

207
00:30:50,720 --> 00:30:52,472
this great symphony

208
00:30:52,760 --> 00:30:54,637
together with you.

209
00:30:54,880 --> 00:30:57,440
And now part 2 no.160.

210
00:31:04,040 --> 00:31:08,238
He's a great genius' our compatriot.

211
00:31:09,480 --> 00:31:11,755
First he run away'

212
00:31:12,320 --> 00:31:15,153
now he needs a national identity.

213
00:31:16,120 --> 00:31:17,997
I can understand him.

214
00:31:19,120 --> 00:31:24,035
He's moody' they say'
finds pretexts for cancelling concerts.

215
00:31:24,280 --> 00:31:28,796
His agent has a hard time.
What made him come back?

216
00:31:29,200 --> 00:31:30,838
Never mind' he's here.

217
00:31:33,080 --> 00:31:34,798
Can you hear him?

218
00:31:37,640 --> 00:31:40,871
A grand old man absorbed in his dream.

219
00:31:41,280 --> 00:31:42,872
Get out!

220
00:31:44,640 --> 00:31:46,835
He radiates electricity.

221
00:31:48,240 --> 00:31:49,958
It can't be acquired.

222
00:33:15,800 --> 00:33:19,679
I'll take a stroll.
Look up old places.

223
00:33:20,440 --> 00:33:21,714
Goodbye.

224
00:33:39,720 --> 00:33:42,075
He understands it and I don't.

225
00:33:46,520 --> 00:33:48,750
Why did you become a conductor?

226
00:33:49,160 --> 00:33:50,673
Can't you remember?

227
00:33:51,120 --> 00:33:52,599
Really' why?

228
00:33:53,920 --> 00:33:55,990
I had talent' you know.

229
00:33:57,200 --> 00:34:00,590
Though none gave me
a fiddle for my 5th birthday.

230
00:34:02,280 --> 00:34:06,034
I often wonder whether you
really like conducting.

231
00:34:06,800 --> 00:34:09,473
It gives you no pleasure.

232
00:34:10,760 --> 00:34:15,117
He says that young conductors
try to drill the orchestra

233
00:34:15,480 --> 00:34:20,998
- instead of loving it.
- He was a great lover' then.

234
00:34:21,680 --> 00:34:24,114
He's had hundreds of orchestras.

235
00:34:24,560 --> 00:34:27,916
You're ashamed to talk
to us about music.

236
00:34:28,440 --> 00:34:33,309
- He showed us in a few words.
- I don't go in for fancy analyses.

237
00:34:34,320 --> 00:34:36,231
You mean I'm not so good.

238
00:34:36,680 --> 00:34:42,596
- My fee's not in dollars.
- When he conducts it's as if he were

239
00:34:42,840 --> 00:34:46,435
questioning me'
giving me time to consider.

240
00:34:46,760 --> 00:34:49,228
- What nonsense.
- That's what I fell.

241
00:34:50,360 --> 00:34:53,158
When he conducts it's a dialogue.

242
00:34:54,200 --> 00:34:56,714
Did you look at his face?

243
00:34:56,920 --> 00:35:00,879
Any more comments on my
professional abilities?

244
00:35:01,240 --> 00:35:05,279
I'm sorry.
For us it's a new experience.

245
00:35:05,680 --> 00:35:09,229
Sorry I don't excite you.
Done the shopping?

246
00:35:09,840 --> 00:35:11,273
Father did it.

247
00:35:12,080 --> 00:35:15,914
You should spend
more time with Maria.

248
00:35:25,640 --> 00:35:27,870
You know nothing about it.

249
00:35:29,840 --> 00:35:33,196
Over there there're all
potential soloists.

250
00:35:33,520 --> 00:35:36,159
Not to be one also takes talent.

251
00:35:37,720 --> 00:35:41,315
An orchestra like that
can manage alone.

252
00:35:41,840 --> 00:35:45,799
- Can I buy anything?
- Father's seeing to it.

253
00:35:46,240 --> 00:35:49,869
If they need a conductor'
it's only for the company.

254
00:35:50,640 --> 00:35:54,599
The better the company'
the better they play.

255
00:35:55,000 --> 00:35:57,195
They don't need coaching.

256
00:35:58,960 --> 00:36:01,349
Here we start from scratch.

257
00:36:01,720 --> 00:36:05,076
Worrying about tone
and elementary discipline.

258
00:36:11,200 --> 00:36:14,909
For heavers sake'
he can afford to butter you up.

259
00:36:16,280 --> 00:36:19,158
He listens' smiles' helps us.

260
00:36:19,440 --> 00:36:22,591
This concert means
a great deal to him.

261
00:36:22,880 --> 00:36:24,029
Stop it!

262
00:36:24,400 --> 00:36:27,437
I asked him if we played well.

263
00:36:27,760 --> 00:36:30,513
We were alone and he said we did.

264
00:36:30,800 --> 00:36:33,758
- Where was that?
- Why do you shout?

265
00:36:34,920 --> 00:36:37,036
You're becoming too involved.

266
00:36:40,120 --> 00:36:44,511
I really did talk to him.
He cares about the concert.

267
00:36:44,760 --> 00:36:49,754
Because this is the orchestra
with whom he made his debut.

268
00:36:50,120 --> 00:36:53,999
- It was a fiasco.
- He felt unwell.

269
00:36:54,840 --> 00:36:59,550
- He lost his nerve and ran off.
- They brought him back.

270
00:36:59,960 --> 00:37:02,713
You'd better ask your father.

271
00:37:03,000 --> 00:37:05,514
It was 50 years ago.

272
00:37:06,760 --> 00:37:09,320
Lasocki ran away.

273
00:37:10,320 --> 00:37:13,995
Hid in the dressing-room'
wouldn't face anyone.

274
00:37:14,320 --> 00:37:16,197
That's why he went abroad'

275
00:37:16,520 --> 00:37:19,637
Pushed his way to the top'
and is said to

276
00:37:19,880 --> 00:37:22,713
work wonders with his orchestras.

277
00:37:23,440 --> 00:37:25,396
What crap!

278
00:37:26,080 --> 00:37:29,516
There's a hundred like him'
ten in Poland!

279
00:37:29,760 --> 00:37:31,716
But without the legend.

280
00:37:32,040 --> 00:37:34,110
He loved my mother.

281
00:37:34,480 --> 00:37:37,552
That evening she told him
about father.

282
00:37:49,560 --> 00:37:52,233
Has Mr. Lasocki returned
to the hotel yet?

283
00:37:54,360 --> 00:37:56,635
Do you know if he's all right?

284
00:37:57,040 --> 00:37:58,678
You think so?

285
00:37:58,880 --> 00:38:01,235
Fine' I'll be in touch.

286
00:38:10,560 --> 00:38:13,518
He's come back to finish his concert.

287
00:38:14,720 --> 00:38:16,039
For your sake!

288
00:38:19,320 --> 00:38:20,992
You'd like to kill him!

289
00:38:29,400 --> 00:38:30,958
Kill the legend!

290
00:39:22,840 --> 00:39:24,273
I'll get some food.

291
00:42:53,480 --> 00:42:55,118
- Morning' Marta.

292
00:42:56,800 --> 00:42:58,552
Still locked?

293
00:42:59,680 --> 00:43:01,432
We'll have to wait.

294
00:43:07,200 --> 00:43:08,633
What's happening?

295
00:43:09,760 --> 00:43:11,273
Where's the key?

296
00:43:12,400 --> 00:43:14,118
Why haven't you shaved?

297
00:43:14,600 --> 00:43:15,999
I'll go for the key.

298
00:43:20,080 --> 00:43:22,355
No' I'll look.

299
00:43:33,880 --> 00:43:36,235
Adam' we've found the key.

300
00:44:06,960 --> 00:44:11,431
I didn't want to talk in front of Lasocki.
You know what they dreamt up?

301
00:44:14,000 --> 00:44:16,992
They want to have the concert
transferred

302
00:44:17,280 --> 00:44:20,033
to the new factory on the outskirts.

303
00:44:21,640 --> 00:44:23,631
What about the acustics?

304
00:44:25,480 --> 00:44:27,994
What's that to our gallant shock troops?

305
00:44:29,000 --> 00:44:32,595
They brought in top experts -
we've no others.

306
00:44:33,360 --> 00:44:36,511
The concert will be
an acoustic experiment

307
00:44:37,000 --> 00:44:39,753
that'll make our name at home'

308
00:44:40,200 --> 00:44:42,589
and Poland famous abroad.

309
00:44:44,440 --> 00:44:46,795
The building can seat 10'000.

310
00:44:47,240 --> 00:44:50,789
The concerts is to go out
on Eurovision as well.

311
00:44:51,200 --> 00:44:54,431
They'll all see hat music-lovers we are.

312
00:44:55,880 --> 00:44:57,677
Why are you so angry?

313
00:44:58,320 --> 00:45:01,869
It may work.
The concert-hall is really too small.

314
00:45:04,280 --> 00:45:05,793
No calls.

315
00:45:10,160 --> 00:45:12,754
That's what is so aggravating.

316
00:45:14,320 --> 00:45:18,074
How often have
I asked for new instruments' flats'

317
00:45:18,600 --> 00:45:21,034
...to attract good players.

318
00:45:23,520 --> 00:45:27,911
For alterations to the hall.
There is never any time or money.

319
00:45:31,640 --> 00:45:34,029
It needed Lasocki's visit.

320
00:45:35,120 --> 00:45:37,111
Then be glad he came.

321
00:45:42,480 --> 00:45:44,550
Heavens' I'll be late.

322
00:45:50,320 --> 00:45:52,959
I started having lessons as a child

323
00:45:53,240 --> 00:45:56,630
with a great teacher' Prof. Jarzebski.

324
00:45:57,120 --> 00:45:59,793
I was even quite promising...

325
00:46:00,680 --> 00:46:05,117
but in the Warsaw Uprising
I was shot in the hand.

326
00:46:06,320 --> 00:46:10,199
Here I'm a second violin.

327
00:46:11,920 --> 00:46:16,152
The lower register is fine'
but the upper...

328
00:46:18,040 --> 00:46:19,519
We rarely rehearse.

329
00:46:19,840 --> 00:46:23,913
Practise too little.
I haven't any room.

330
00:46:24,600 --> 00:46:30,436
I'm alone with a child and I've nowhere
to practise expect in the bathroom.

331
00:46:33,160 --> 00:46:35,355
Speak up' you're not on TV.

332
00:46:35,760 --> 00:46:40,276
The orchestra's O.K.
We do our best...

333
00:46:41,000 --> 00:46:42,718
But our public...

334
00:46:43,520 --> 00:46:47,593
We play to chance audiences'
old age pensioners'

335
00:46:48,120 --> 00:46:52,477
- Captive school-parties.
...and you're paid in zloties!

336
00:46:53,160 --> 00:46:55,037
We're asked to perform

337
00:46:55,400 --> 00:46:59,598
at various celebrations'
but they don't need us.

338
00:47:00,240 --> 00:47:02,310
Don't really won at us.

339
00:47:03,560 --> 00:47:04,959
It's all wrong.

340
00:47:05,360 --> 00:47:07,510
We play for their sake.

341
00:47:08,680 --> 00:47:12,798
Audiences are what they are'
the whole world over.

342
00:47:14,560 --> 00:47:18,712
It's you who educate your public'
not the other way round.

343
00:47:19,200 --> 00:47:23,239
By your enthusiasm and devotion.

344
00:47:24,160 --> 00:47:29,109
Don't rely on their love.
Rely on yourselves alone.

345
00:47:29,520 --> 00:47:32,876
On your love of music and theirs.

346
00:47:33,560 --> 00:47:35,915
Now let's get back to work.

347
00:53:08,520 --> 00:53:09,839
What's wrong?

348
00:56:07,720 --> 00:56:10,951
I'd like Adam to understand this.

349
00:56:24,000 --> 00:56:27,834
No' Adam wouldn't understand.

350
00:57:50,360 --> 00:57:54,512
Maestro' my name is Marta.

351
00:57:55,840 --> 00:57:57,671
Ann was my mother.

352
00:59:38,800 --> 00:59:40,916
What we'll do when you leave?

353
01:00:23,400 --> 01:00:26,995
You've been gargling for 15 mins.
Long enough.

354
01:00:30,840 --> 01:00:31,989
3 minutes.

355
01:00:42,840 --> 01:00:44,831
You're quite unlike your mother.

356
01:01:36,600 --> 01:01:38,318
I'm sorry' I'm late...

357
01:01:46,760 --> 01:01:51,436
Let's be frank...
Can you rely on the orchestra?

358
01:01:52,920 --> 01:01:57,118
Of course.
We're doing our best' the outcome...

359
01:01:57,480 --> 01:02:00,233
...is another matter.
But I'm confident.

360
01:02:01,840 --> 01:02:03,876
I know' you've done wonders.

361
01:02:09,680 --> 01:02:12,911
The orchestra's not bad'
but what of it?

362
01:02:13,600 --> 01:02:16,319
We must take into account all the

363
01:02:16,600 --> 01:02:19,751
national and international implications.

364
01:02:20,040 --> 01:02:21,792
That's what I said...

365
01:02:24,200 --> 01:02:27,431
The orchestra's decent enough'
but really...

366
01:02:28,480 --> 01:02:32,598
It's provincional.
We all want it to be a success.

367
01:02:33,320 --> 01:02:37,791
- An important event.
- We've been working at full stretch.

368
01:02:38,200 --> 01:02:42,159
The orchestra work like maniacs...

369
01:02:43,320 --> 01:02:46,153
They've been at it for 5 hours now.

370
01:02:48,840 --> 01:02:50,319
It's not enough.

371
01:02:50,640 --> 01:02:51,834
Not enough.

372
01:02:52,880 --> 01:02:57,032
We're all committed.
Here and in Warsaw.

373
01:02:58,960 --> 01:03:02,236
But good intentions
don't get things done.

374
01:03:02,600 --> 01:03:06,559
Me must make changes.
Set things up properly.

375
01:03:07,160 --> 01:03:09,469
What have you in mind?

376
01:03:13,680 --> 01:03:16,319
Some think Warsaw ought to take over.

377
01:03:18,520 --> 01:03:19,555
Warsaw?

378
01:03:19,760 --> 01:03:21,478
That's radical.

379
01:03:21,840 --> 01:03:25,355
But not a bad thing for you.
Think it over.

380
01:03:26,680 --> 01:03:29,513
Let's be frank' you're wasted here.

381
01:03:30,560 --> 01:03:32,551
A man of your talent!

382
01:03:34,560 --> 01:03:35,754
Well?

383
01:03:38,600 --> 01:03:40,716
It's quite impossible.

384
01:03:41,680 --> 01:03:43,591
It's possible...

385
01:03:44,800 --> 01:03:49,157
But a little awkward.
I tell you' something must be done.

386
01:03:49,640 --> 01:03:52,837
What else?
We're working like maniacs.

387
01:03:53,160 --> 01:03:55,913
However hard I try' I can't turn

388
01:03:56,200 --> 01:04:00,796
my first violin into
Jascha Heifetz overnight.

389
01:04:01,400 --> 01:04:04,119
Now you're on the right track.

390
01:04:04,760 --> 01:04:08,878
A little rearrangement'
and we'll feel better.

391
01:04:10,040 --> 01:04:11,837
Gain confidence...

392
01:04:12,880 --> 01:04:15,314
Yes' confidence' which is

393
01:04:15,880 --> 01:04:18,110
what you lack at present.

394
01:04:20,840 --> 01:04:24,628
To be brief. I'm sending you
some instrumentalists

395
01:04:24,960 --> 01:04:28,635
From the Warsaw Philharmonic.

396
01:04:29,840 --> 01:04:32,877
Now these are guys you can work with.

397
01:04:34,040 --> 01:04:35,758
We can't do that.

398
01:04:36,160 --> 01:04:38,549
It's already settled.

399
01:04:39,680 --> 01:04:43,150
It's a slap in the face to our musicians.

400
01:04:43,720 --> 01:04:46,712
- Don't exaggerate.
- I understand you.

401
01:04:47,000 --> 01:04:51,755
You're taking it to much to heart.
Let's look at the facts.

402
01:04:53,480 --> 01:04:58,156
Why a slap in the face?
Let's call it holding out a helping hand.

403
01:04:58,600 --> 01:05:03,435
- It's in the general interest.
- That's what we said.

404
01:05:09,600 --> 01:05:11,397
It's out of the question.

405
01:05:11,800 --> 01:05:15,998
- Lasocki won't agree.
- You're not making sense.

406
01:05:16,400 --> 01:05:21,428
You think he'd rather perform
with a weak orchestra?

407
01:05:22,560 --> 01:05:24,596
He knows them now.

408
01:05:25,760 --> 01:05:29,309
Something's happening that even
I don't understand.

409
01:05:29,560 --> 01:05:33,348
You bet he won't even catch on.

410
01:05:35,000 --> 01:05:38,515
Suddenly he'll hear some great music...

411
01:05:39,040 --> 01:05:43,431
And put it down to his magic baton.
That's okay by us.

412
01:06:03,000 --> 01:06:06,470
Hello!
Would you like to take over now?

413
01:06:06,880 --> 01:06:08,791
Of course.

414
01:06:25,440 --> 01:06:27,158
Here we go. -

415
01:06:36,280 --> 01:06:38,111
8 bars before 141.

416
01:06:54,680 --> 01:07:00,152
Please don't tie it with the quavers.
Once more from the same place.

417
01:07:03,360 --> 01:07:06,511
We can do without coughing'
crying or giggling.

418
01:07:08,440 --> 01:07:09,793
Quiet please.

419
01:07:18,000 --> 01:07:24,075
Stop. You missed your entry.
You're still doing that after 3 years.

420
01:07:25,440 --> 01:07:28,159
And you still don't know I'm Anna.

421
01:07:28,520 --> 01:07:32,149
- While Mr. Lasocki...
- No arguments.

422
01:07:37,600 --> 01:07:40,717
Careful' or I'll lose my temper!

423
01:07:45,240 --> 01:07:47,959
We'll see who has the last laugh.

424
01:07:57,560 --> 01:08:01,951
- How old are you?
- 23.

425
01:08:02,280 --> 01:08:07,559
Then you've still got time.
We'll take you on your own.

426
01:08:11,040 --> 01:08:14,874
Would you mind paying attention
to the baton?

427
01:08:21,280 --> 01:08:22,838
That's better...

428
01:08:26,320 --> 01:08:29,232
- Mr. Lasocki said...
- Quiet!

429
01:08:29,720 --> 01:08:31,870
Keep your eye on my baton.

430
01:08:33,080 --> 01:08:34,593
Wrong! Once more!

431
01:08:36,080 --> 01:08:37,559
Wrong! - Again!

432
01:08:40,760 --> 01:08:44,036
Take the score and practise at home.

433
01:08:44,840 --> 01:08:47,229
Now we'll try the viola entry.

434
01:08:48,800 --> 01:08:51,360
The same place. Just the violas.

435
01:08:53,240 --> 01:08:57,233
You should learn to keep time
before you plan any tours.

436
01:09:06,240 --> 01:09:07,639
Second violis!

437
01:09:18,160 --> 01:09:20,594
What's wrong now?

438
01:09:21,120 --> 01:09:22,872
I've a bad finger' chief.

439
01:09:23,240 --> 01:09:26,710
I'm not well either'
but I have to carry on.

440
01:09:47,760 --> 01:09:50,399
Could you stop giggling?

441
01:09:52,400 --> 01:09:55,551
141... no' from the B' please.

442
01:09:59,760 --> 01:10:03,196
Please pay attention
to what I say and do.

443
01:10:10,320 --> 01:10:15,110
I'm sorry' we can't work
in this kind o atmosphere.

444
01:10:15,440 --> 01:10:20,468
- That's your responsibility.
- Mr. Lasocki was satisfied.

445
01:10:20,880 --> 01:10:23,394
I gave you your chance.

446
01:10:23,920 --> 01:10:26,753
What were you before I came here?

447
01:10:27,360 --> 01:10:29,954
Once more' please' form the B.

448
01:10:36,040 --> 01:10:37,917
It's just no good.

449
01:10:39,560 --> 01:10:43,314
- I know we're worried upset.
- Me upset?

450
01:10:44,320 --> 01:10:47,437
I really don't have to bow-low to you.

451
01:10:47,800 --> 01:10:52,828
- This is too bad.
- Ready? 141 please.

452
01:11:01,120 --> 01:11:02,678
Once more!

453
01:11:11,960 --> 01:11:13,791
You treat us like amateurs.

454
01:11:14,040 --> 01:11:16,190
You said it first.

455
01:11:16,400 --> 01:11:17,879
It's an affront!

456
01:11:18,480 --> 01:11:21,040
You think that's an insult?

457
01:11:23,080 --> 01:11:24,832
An affront.

458
01:11:25,240 --> 01:11:28,118
You are amateurs'
that's the truth.

459
01:11:28,600 --> 01:11:31,797
I decide when the rehearsal's over.

460
01:11:32,520 --> 01:11:34,511
Simply amateurs.

461
01:11:35,080 --> 01:11:37,435
A provincional orchestra.

462
01:11:38,080 --> 01:11:41,277
Amateurs... provincional.

463
01:12:59,320 --> 01:13:02,039
Is jealousy making you do this?

464
01:13:04,680 --> 01:13:07,990
Really! Jealous of an 80 year-old man.

465
01:13:09,360 --> 01:13:12,909
Not because of me'
because of the orchestra.

466
01:13:14,920 --> 01:13:17,559
A gang of sycophantic amateurs.

467
01:13:18,360 --> 01:13:21,875
Dangle a carrot in front of them...

468
01:13:22,160 --> 01:13:25,197
And they'll follow like donkeys.

469
01:13:38,200 --> 01:13:40,555
I've heard it all.

470
01:13:40,840 --> 01:13:44,037
The conductor's supposed to mediate...

471
01:13:44,400 --> 01:13:49,315
between the orchestra and music
with a capital M.

472
01:13:50,960 --> 01:13:53,269
Between orchestra and public.

473
01:13:53,840 --> 01:13:55,751
I know these legends

474
01:13:56,000 --> 01:13:59,037
about being in rapport with
the orchestra.

475
01:14:03,600 --> 01:14:07,388
That's a dream. Really they must
stop drinking...

476
01:14:15,640 --> 01:14:18,393
and be more punctual.

477
01:14:20,960 --> 01:14:24,635
So that rehearsals can start on time.

478
01:14:27,960 --> 01:14:31,270
You've never been drunk before.

479
01:14:32,760 --> 01:14:35,354
For God's sake what's eating you?

480
01:16:17,320 --> 01:16:18,548
All right.

481
01:16:21,240 --> 01:16:23,595
I won't play at this concert.

482
01:16:27,160 --> 01:16:29,435
I won't because I can't.

483
01:16:33,920 --> 01:16:36,309
Even if you insist...

484
01:16:39,360 --> 01:16:41,749
Tomorrow you'll let me go.

485
01:16:42,560 --> 01:16:45,358
I'll bring a medical certificate.

486
01:16:49,720 --> 01:16:51,950
You've got your own way.

487
01:16:55,920 --> 01:16:57,638
You've created...

488
01:16:59,520 --> 01:17:04,275
Such an atmosphere around
the whole thing' that I can't.

489
01:17:08,120 --> 01:17:09,439
I realize...

490
01:17:09,960 --> 01:17:12,554
That if I try to play well'

491
01:17:14,000 --> 01:17:17,072
it'll be a gesture against you.

492
01:17:57,240 --> 01:18:00,516
There was one thing
I really cared about.

493
01:18:19,560 --> 01:18:22,120
Marta? What happened?

494
01:18:23,320 --> 01:18:25,117
Is something wrong?

495
01:18:36,400 --> 01:18:40,279
Nothing's happened.
I just came to see you.

496
01:18:42,560 --> 01:18:45,313
I'm sorry' you didn't expect me.

497
01:18:47,080 --> 01:18:48,752
I came' because...

498
01:19:19,040 --> 01:19:22,794
Marta. Please calm down.

499
01:19:24,960 --> 01:19:28,953
I don't want to be calm.
I've been calm all my life.

500
01:19:31,920 --> 01:19:35,117
I'll ask them to bring up
some breakfast.

501
01:19:53,920 --> 01:19:56,150
Forgive me for disturbing you.

502
01:20:04,960 --> 01:20:06,871
Why did you come here?

503
01:21:28,480 --> 01:21:31,916
I'm glad to see you.

504
01:21:39,560 --> 01:21:44,111
I hope you don't mind roughing it...

505
01:21:58,960 --> 01:22:02,555
Lister I implore you'
no last minute scenes.

506
01:22:03,000 --> 01:22:07,994
I know how you feel.
But it's for our own good.

507
01:22:08,800 --> 01:22:11,837
Only for one concert' you know.

508
01:22:12,120 --> 01:22:16,238
It'll be broadcast
to the whole world.

509
01:22:17,520 --> 01:22:20,910
- Anna' please!
- You remember my name.

510
01:22:21,160 --> 01:22:24,072
We're better now than they are.

511
01:22:24,600 --> 01:22:28,798
It's a huge hall. Beethoven...

512
01:22:30,400 --> 01:22:33,392
The orchestra doesn't agree.

513
01:22:34,000 --> 01:22:37,231
It's our civic duty'
duty to the country.

514
01:22:38,040 --> 01:22:42,556
- No!
- It's a great masterpiece.

515
01:22:42,800 --> 01:22:46,475
Lasocki trusted you'
don't disappoint him.

516
01:22:48,760 --> 01:22:50,990
Take care' please.

517
01:22:51,520 --> 01:22:56,548
Everything's been done to bring
the orchestra up to scratch.

518
01:22:56,840 --> 01:23:00,753
The small hall wouldn't have held
a fraction of those

519
01:23:00,960 --> 01:23:03,315
who wanted to see you.

520
01:23:03,560 --> 01:23:07,838
That's why we decided
to use this place.

521
01:23:08,720 --> 01:23:13,475
- Do you think they'll come?
- More than we have room for.

522
01:23:13,680 --> 01:23:15,875
Then we'll play for them.

523
01:23:21,440 --> 01:23:25,353
Close the cinema and bring
all the chairs here.

524
01:23:49,160 --> 01:23:52,470
Who are these people?
I don't know them.

525
01:23:53,040 --> 01:23:57,670
- We've rough is some reinforcements.
- It's not my orchestra.

526
01:23:58,000 --> 01:24:01,515
- I'm responsible for it.
- Where's Martha?

527
01:24:03,680 --> 01:24:05,989
She decided not to play.

528
01:24:06,760 --> 01:24:11,356
- I did my best.
- Best for you' or for them?

529
01:24:18,200 --> 01:24:21,351
No need to panic.

530
01:24:23,080 --> 01:24:25,913
Take your places' please.

531
01:24:32,320 --> 01:24:35,756
Everything will be all right.

532
01:24:37,320 --> 01:24:40,756
Sit down.
Everything's just fine' sir.

533
01:25:41,600 --> 01:25:45,991
- What are you doing here?
- We're waiting for tickets.

534
01:26:11,960 --> 01:26:14,030
Have you got room for me?

535
01:26:22,440 --> 01:26:26,956
- Tomorrow we'll see.
- You won't see anything.

536
01:26:27,480 --> 01:26:31,519
They've never played so well.

537
01:26:32,120 --> 01:26:35,430
- They play and cry.
- How do you know?

538
01:26:36,040 --> 01:26:41,160
Lasocki raises his arm and
they are on by themselves.

539
01:26:41,720 --> 01:26:43,870
- A miracle?
- That's it.

540
01:26:44,080 --> 01:26:47,356
- They don't go home.
- Don't eat or sleep.

541
01:26:47,760 --> 01:26:50,911
They're eating out of his hands.

542
01:26:51,280 --> 01:26:54,875
I'd be the same with a man like that.

543
01:27:18,320 --> 01:27:22,313
I'm the director
of the local philharmonic.

544
01:27:22,760 --> 01:27:27,197
- Can we see Mr Lasocki?
- Mr Lasocki is not here.

545
01:27:27,520 --> 01:27:31,195
We're worried.
We've been trying to reach him.

546
01:27:31,600 --> 01:27:34,160
He left his luggage and went out.

547
01:27:53,480 --> 01:27:58,600
Maestro' please' I'll play...
Everything will be all right.

548
01:27:59,320 --> 01:28:02,596
Please forgive me' you were right.

549
01:28:03,720 --> 01:28:06,439
No changes.
The old orchestra.

550
01:28:38,800 --> 01:28:41,075
Call an ambulance!

551
01:29:24,680 --> 01:29:27,148
Faster please' a stretcher!

552
01:29:51,160 --> 01:29:52,912
What was he to you?

553
01:29:53,120 --> 01:29:55,680
What do you want of us?

554
01:29:56,800 --> 01:29:58,711
What was he to me...

555
01:29:59,640 --> 01:30:01,551
What was he to me?

556
01:30:04,600 --> 01:30:06,079
I don't know.

557
01:30:06,920 --> 01:30:10,356
- They're filming us.
- How did it happen?

558
01:30:22,560 --> 01:30:24,073
Have you heard?

559
01:30:24,320 --> 01:30:25,389
Yes.

560
01:30:27,040 --> 01:30:31,352
I didn't think he'd be
the one to go first.

561
01:30:38,480 --> 01:30:40,277
Will you play?

562
01:30:41,080 --> 01:30:42,354
We must.

563
01:30:43,400 --> 01:30:45,516
He'll be conducting.

564
01:30:52,160 --> 01:30:54,879
He'll have to get down to it.

565
01:30:55,360 --> 01:30:57,635
It's his big chance.

566
01:31:06,320 --> 01:31:10,359
Leave him before it's too late!

567
01:31:11,480 --> 01:31:13,914
Run away now!

568
01:31:15,400 --> 01:31:18,073
Before he ruins your life.

569
01:31:18,280 --> 01:31:22,478
He'll come to nothing'
but he'll make you suffer.

570
01:31:27,040 --> 01:31:28,996
How do you know?

571
01:31:31,480 --> 01:31:33,550
I was like that.

572
01:31:34,760 --> 01:31:37,433
Conceited... stupid.

573
01:31:38,880 --> 01:31:40,438
A coward...

574
01:31:41,640 --> 01:31:43,232
And today...

575
01:31:56,920 --> 01:31:59,195
I won't leave him.

576
01:31:59,920 --> 01:32:02,992
Just as mother didn't leave you.

577
01:32:03,280 --> 01:32:06,795
Mother stayed with you'
not Lasocki.

578
01:32:07,320 --> 01:32:11,996
You were weak and that's
why she had to stay.

579
01:32:16,440 --> 01:32:21,639
Our Father who art in Heaver
hallowed be thy name...

580
01:32:46,560 --> 01:32:48,551
Hit me' Marta!

581
01:32:51,120 --> 01:32:53,429
Go or hit me hard!

582
01:32:59,400 --> 01:33:03,109
I wanted to kill him because of you.

583
01:33:04,400 --> 01:33:09,315
Don't you think you overestimate
your own role?

584
01:33:10,640 --> 01:33:15,714
It's stupid and in bad taste.
He was old and sick.

585
01:33:16,120 --> 01:33:19,192
Perhaps he came here in order to die.

586
01:33:21,480 --> 01:33:26,600
Stop behaving like an idiot.
Be sorry because he's dead.

587
01:33:27,400 --> 01:33:29,311
Do you despise me?

588
01:33:30,120 --> 01:33:33,032
The concert's tomorrow.

589
01:33:35,120 --> 01:33:38,157
We must all play as well as we can.

590
01:33:38,880 --> 01:33:41,155
And you must conduct.

591
01:33:42,480 --> 01:33:44,994
That's all we can do for him.

592
01:33:48,920 --> 01:33:51,229
Now we have to get some sleep.

593
01:33:51,400 --> 01:33:54,278
You can't stay with me now'
can you?

594
01:33:54,960 --> 01:33:56,234
No.

595
01:33:58,200 --> 01:34:02,751
- Will you take the child?
- Stop it' please.

596
01:34:03,680 --> 01:34:05,238
Calm down.

597
01:34:06,040 --> 01:34:07,473
You hate me.

598
01:34:11,600 --> 01:34:13,556
That's not the point.

599
01:34:17,520 --> 01:34:19,670
What is the point' then?

600
01:34:20,280 --> 01:34:26,196
It wasrt me or the orchestra.
That was just a minor irritation.

601
01:34:26,560 --> 01:34:31,998
You were jealous about the music.
Because those who love it are free.

602
01:34:32,280 --> 01:34:36,592
You can't. For you
music isn't an end in itself.

603
01:34:36,920 --> 01:34:40,117
It's a means to...
Don't know what...

604
01:34:40,400 --> 01:34:43,517
...power' positior fame. A career.

605
01:34:44,240 --> 01:34:47,471
Something to raise you
above the rest.

606
01:34:47,680 --> 01:34:51,195
It's not your fault'
it's your upbringing.

607
01:34:51,520 --> 01:34:55,149
Those who can't love
what they do are not free'

608
01:34:55,360 --> 01:34:57,715
and aren't a danger to anyone.

609
01:34:58,000 --> 01:35:02,710
They depend on critics' money'
on the favours of authority.

610
01:35:03,360 --> 01:35:07,399
You can be bought or sold'
and that's why music...

611
01:35:07,600 --> 01:35:10,194
...doesn't mean anything to you.

612
01:35:10,560 --> 01:35:15,588
You despise yourself.
But how can you admit it?

613
01:35:15,920 --> 01:35:20,072
That's why you want to destroy
everything vital.

614
01:35:20,280 --> 01:35:24,432
You'd like us to sell out
to the clique who bought you.

615
01:35:24,760 --> 01:35:30,676
That's what's the matter with you.
So far everything was fine.

616
01:35:30,960 --> 01:35:34,396
But suddenly
you met a real great man.

617
01:35:34,720 --> 01:35:39,999
You lost your head and took
refuge in hatred. That's all.

618
01:35:56,280 --> 01:35:58,589
Find another profession.

619
01:35:58,800 --> 01:36:02,509
One where your hatred
may be useful.

620
01:36:23,480 --> 01:36:27,359
Subtitles by Hilda Rusiecka
Distributor: FILM POLSKI